Pair of Antique Baroque Candelabra Brass XVIII Century - Italy, Mid XVIII Century

Italy, Late XVIII Century

Majolica plate with lobed rim. In the center of the plate there is a decoration with a group of turreted buildings inside a frame with leafy branches.

Italy, Late XVIII Century

Majolica plate with lobed rim. In the center of the plate a group of turreted buildings rises from an island of land with plants; the background is crossed by glazes representing the sky. Along the frame decoration with leafy sprigs that emerge from the perimeter.

Italy, Late XVIII Century

Ligurian-made majolica jug with globular body, expanded rim and spout. Spool handle. The jug is decorated in polychrome with a plant motif and a male figure with a hat.

Italy, XVIII Century

Putto torch holder in carved, lacquered and gilded wood. Restored in lacquering and gilding in the posthumous era.

Spain, Late XVIII Century

Sculpture in walnut wood carved and lacquered in polychrome colors depicting Moses. The horns on Moses' head, typical of his iconography, are missing.

Italy Second Half of the 18th Century

Majolica plate with lobed and molded rim. In the center of the plate a group of turreted buildings rises from an island of land with plants; the background is crossed by veils that represent the sky. Along the frame I decorate with leafy branches that come out from the perimeter.

France, Late XVIII Century

French majolica jardinière decorated in polychrome with a floral motif depicting cornflowers and wild roses.

Europe, XVIII Century

Carved, lacquered and painted wooden sculpture depicting a Roman soldier, part of a larger sculptural group probably the crucifixion of Jesus. Non-coeval base.

Italy, Late XVIII Century

Pair of small goblets in polychrome majolica with a prevalence of ocher. Third fire decoration. Manufacture mark under the base.

Italy, Late XVII Century

Majolica plate decorated with great heat in shades of blue.

Italy, Mid XVIII Century

Estense majolica plate with wavy edge and floral decoration in the hollow. Flowers also scattered across the brim, a sinuous line runs along the edge of the plate. Possible attribution to the workshop of Gian Maria Dallari.