Antique Empire Drop Leaf Cabinet Walnut Italy Early XIX Century - Italy, Early XIX Century

Italy, Early XIX Century

Small cheval mirror with tilting mirror.

Italy, Late XIX - Early XX Century

Neo-Renaissance desk supported by turned uprights connected by also turned crosspieces, there are two drawers in the under-top band and the same number in the backsplash, framing the central document compartment. Decorated with carvings with neo-Renaissance style motifs.

Italy, Late XIX - Early XX Century

Single bed in blue lacquered wrought iron, Italy, late 19th - early 20th century. Structure composed of turned elements alternating with spheres.

Oil on canvas, applied on panel. Central Italian school of the 18th century. It depicts the evangelical episode in which Jesus welcomes the children to himself, urging his disciples not to push them away: "Let the children come to me, for theirs is the Kingdom of Heaven". The scene is full of figures that overlap and intertwine: in the foreground Jesus seated on the right, opens his arms in a sign of welcoming the children who approach him, urged by their mothers; in the background the disciples, with Peter recognizable in the center who tries to push a boy away, but their gaze is turned to Christ, who looks at them and urges them to welcome them. In the background of the scene some architecture appears, in particular the pyramid stands out which symbolically represents the tension, the ascent towards the top. The painting has an evident lack of canvas in the center, patched with the application of a wooden panel to the back. It has other small traces of widespread restoration. It is presented in a 19th century frame.

Italy, Late XIX - Early XX Century

Pair of single beds in lacquered wrought iron, Italy, late 19th - early 20th century. Structure composed of turned elements alternating with spheres.

Italy, XVIII Century

Bowl in embossed and chiseled sheet copper in the shape of a shell with a triton and a centaur in battle.

Female Portrait 1937

Oil on canvas. Trace of signature lower left, full signature on the back, with the date. Trained at the Tallone school, Moretti Foggia was mainly a landscape painter, who offers veristic views characterized by a very bright and material chromatic palette, mainly reproducing his native Val d'Ossola. But his production also includes several portraits, among which is the successful one of this elegant and smiling lady, portraits in which the influence of Cesare Tallone is evident, in the brush stroke and in the use of color, as well as in the attention to the female world. The painting is presented in a contemporary frame.

Italy Second Half 19th Century

Planer with double adjustment.

Europe, Early XX Century

File cabinet in walnut wood and walnut root. On the front, double door opening and drawer with perforated brass handle. Inside compartments for documents and date display.

Boats on the Canal

Oil on canvas. Signed lower right. Title in pencil on the frame. The Hungarian painter Emil Lindenfeld lived in Italy for a long time, before moving to the United States in 1956. His very rich production includes scenes with humble characters, workers, but also landscapes and glimpses of the places he lived, including glimpses of Venice. The work is presented in a frame.

England, Late XIX Century

English made pendulum clock, in mahogany, the face features Roman numerals and is painted with a hunting scene and floral motifs; "Barnsley" mark present.

France, XX Century

Baccarat Nancy model crystal glass set consisting of 6 water glasses, 8 wine glasses and 6 liqueur glasses. Under the base the manufacturer's brand.