Pair of Ancient Wall Lamps Shear Plate Italy XX Century - Italy, XX Century

Italy late 19th century

Female bust and liberty column in white statuary marble, Italy, late 19th century. Bust in old-fashioned dress with floral elements placed on the chest; column decorated with ivy that descends transversely from the supporting surface.

Italy, Mid XX Century

Bust of a Roman emperor in white marble and alabaster, Italy, mid-20th century. Alabaster gown. Base in black marble.

152 x 118 In

Kashmar rug in cotton and wool, large knot and manual manufacturing.

Europe, Mid XX Century

Pair of bronze sculptures on marble base depicting figures of commoners. Anonymous author.

Europe, XX Century

Ship's porthole with four keys in brass with iron door. Serial number on the edge.

Europe, XX Century

Sculpture in carved and painted wood with polychrome.

Europe, Mid XX Century

Set of six glass wall displays with brass frame and chains.

66 x 33 In

Bukhara carpet made of cotton and wool, fine knot, handmade.

Japan, First Half XX Century

Pair of ceramic vases with flower, peony and figure decorations.

Early, XX Century

Cupboard with walnut stand in Emilian baroque style made with ancient woods, Italy, early 20th century. Removable top, with band hosting a pair of drawers. The upper part is connected, via four turned bases, to the sideboard, the latter equipped with two doors on the front and shelf feet. The piece of furniture is also embellished with tiles and metal studs. Poplar and fir interior.

Italy, Early XX Century

Wooden bust stand, with Medici coat of arms on the front.

Composition with Bread and Tomatoes

Oil on canvas. Signed lower right. The artist's stamp is on the back of the frame. De Bernardi's painting is part of the Lombard landscape tradition of the 19th and 20th century. He always lived in Besozzo, his hometown in the province of Varese, but he traveled a lot, in Italy and outside of Italy, collecting impressions and researching, to relive them in his work, new landscapes. He preferred landscape production, even if declined with a changing style in his different pictorial phases. His production does not lack some still lifes, dating back mainly to the 1940s, compositions scrupulously drawn and aimed at dealing with the problems of light and atmospheric depth with agility and freshness, as in this presentation of some bread and tomatoes on a rustic table. Restored and relined, the painting is presented in a frame.